An exercise in existentialism, absurdism, and automatic painting, Life is Ceaseless was made without a plan, process, or really anything in particular in mind. It became what it was because of what I felt at the time, what I thought would be funny, and what I thought would be fun to paint. It was created in that short stretch of time in between midterms and finals, when all your projects are due, the holidays are happening, and so is everything else, apparently. The Clock of Time stops for no one, indeed.